Friday, May 25, 2007

Compact digester for producing biogas from food waste

Source :
http://www.ashdenawards.org/winners/arti06
http://www.arti-india.org/

The Appropriate Rural Technology Institute (ARTI) in Pune has developed a biogas plant which uses food waste rather than manure as feedstock and supplies biogas for cooking. The plant is sufficiently compact to be used by urban households, and over 700 are currently in use.
Pune is a relatively affluent city in south India, and many people use liquid petroleum gas (LPG) or kerosene for cooking. Waste food is often discarded at the side of the road, as in many cities, attracting stray dogs, flies and rats and creating a public health hazard. The ARTI compact biogas plant is made from two standard high-density polyethylene (HDPE) water tanks: the larger tank acts as the digester and the smaller one is inverted and placed into it to serve as a gas-holder. The plant safely digests kitchen waste, food waste or waste flour from mills, thus reducing the problem of waste disposal. A 1,000 litre plant produces sufficient biogas to at least halve the use of LPG or kerosene for cooking in a household, as well as a small amount of liquid effluent which can be used as fertiliser. ARTI has developed the technology, field tested it, and managed the supply of about 700 biogas plants in Maharashtra. Around 100 plants are now being installed every month.
The first-prize Ashden Award to ARTI recognises the enormous potential for using this compact biogas digester in towns and cities, both to supply cooking gas and to assist in the disposal of organic waste.
The organisation
ARTI is a charitable trust, founded in 1996 by a group of scientists, technologists and social workers. It currently employs ten staff and has 22 members. The biogas project, started in 2003, is one of over ten different projects run by ARTI. Many of its staff are involved in more than one project and so there is continuous cross-fertilisation of ideas.
ARTI won a First Prize Ashden Award in 2002 for using sugar cane waste to make char briquettes.
Contact: Dr Anand Karve, President,Appropriate Rural Technology InstituteManinee ApartmentsSurvey no. 13, DhayarigaonPune 411 041, MaharashtraIndiaTel: +91-20-24390348 / 24392284Email: adkarve@vsnl.com; arti_pune@vsnl.net Website: www.arti-India.org
Technology
Cooking with gas from an ARTI biogas plant is easyand convenient
Biogas systems take organic material (feedstock) into an air-tight tank, where bacteria break down the material and release biogas – mainly a mixture of methane with some carbon dioxide. The biogas can be burned as a fuel, for cooking or other purposes, and the solid residue can be used as organic compost.
Most biogas plants currently in operation in India and elsewhere are designed to use animal manure as their main feedstock, and are therefore used in rural areas. ARTI have developed a compact biogas plant which uses highly digestible organic materials available in urban areas, such as waste flour or kitchen waste as feedstock. The plant can be made in a small size and still produces enough gas for a family, because its feedstock has a much higher energy density than manure, and the digestion takes place more quickly (typically only one to two days, compared with 30 to 40 days for a manure-based plant); so a much smaller quantity of decomposing material needs to be held in the plant.
The compact plants are made from cut-down HDPE water tanks, which are adapted using a heat gun and standard HDPE piping. The standard plant uses two tanks, with volumes typically of 0.75 m3 and 1 m3. The smaller tank is the gas holder. It is inverted and attached to the larger one which holds the mixture of decomposing feedstock and water (slurry). An inlet is provided for adding feedstock, and an overflow for removing the digested residue. Because the feedstock is almost completely digested, the effluent contains a much smaller amount of solid matter than the residue from a manure-based plant, and ARTI recommends that the liquid is mixed with the feedstock and recycled into the plant. A pipe takes the biogas to the kitchen, where it is used with a biogas stove. Such stoves are widely available in India, which has a long tradition of using manure-based biogas plants. The gas holder gradually rises as gas is produced, and sinks down again as the gas is used for cooking. Weights can be placed on the top of the gas holder to increase the gas pressure.
ARTI has found that the gas produced in these plants has a higher methane concentration than is found using manure based plants, and therefore has a higher energy content. Experiments suggest that the reason for the high methane concentration is that the carbon dioxide dissolves in the very liquid slurry. The methane concentration is further increased when weights are used on the gas holder, because more carbon dioxide dissolves under the increased pressure.
The plant is provided as a kit that takes only two to three hours to install. It needs a space about 2 m square and 2.5 m high, although adaptations can be made if it is placed under a roof. The plant is filled with a starter mix: either cattle dung mixed with water and waste flour, or effluent from an existing biogas plant mixed with flour. The feeding of the plant is built up over a few weeks until it provides a steady supply of gas, typically 250 g of gas per day from 1 kg (dry matter) of feed. The feed can be waste flour, vegetable residues, waste food, fruit peelings and over-ripe or rotten fruit. Feedstock with large lumps (more than 20 mm) can be broken up with a food blender. Hand- and pedal-powered food blenders are being developed for when electricity is not available. Oil cake, left over from oil-pressing, is another useful feedstock. Non-edible oils (such as jatropha, castor and linseed) are being promoted in India for making biodiesel, and oil-cake that cannot be fed to animals is likely to become more abundant.
A biogas plant can become acidic and fail if it is over-fed, and this is a particular problem with a plant using highly digestible organic materials. If this happens, ARTI has found that the plant can be recovered by ceasing feeding, partially flushing out the contents with fresh water, and then building up the feed rate again slowly. This problem was more common with the early smaller systems (0.5 or 0.75 m3) than with the later, larger systems.
How users pay
At the time of writing (July 2006) 85 Rupees (Rs) = UK£1 = US$1.8
All plants are paid for in full by the owner when they are constructed. If the plant is installed by ARTI, the user purchases the plastic tanks and the relevant hardware. An ARTI technician assembles and commissions the system and the total cost to the owner is about Rs 6,500 (about £76) for a 1 m3 system, plus Rs 500 (£6) for a biogas stove. ARTI is not allowed to make a profit and so the cost of installation is lower than with private entrepreneurs, who build plants for Rs 10,000 (about £120). This includes the cost of fabrication, transport to site and installation. There are no subsidies or loan facilities. The project does not have a micro-credit facility but a supplier may accept payment by instalments.

Thursday, May 24, 2007

Musical Temples India


Nellaiappar Temple at Tirunelveli(Cosmic Dance Hall - Tamra Sabha - Paadal Petra Stalam)
http://www.indiantemples.com/Tamilnadu/nelltiru.html

Antiquity: The temple dates back to 700 AD and has been sung by the Saivite saint Tirugnana sambandar. Supposedly there were two distinct temples for Shiva and his consort both built by the Pandyan kings and the Sangili Mandapam linking these two were built in the 17th centuries. The towers also date back to early 17th century. There are inscriptions dating all the way back to 950 AD in the temple.
Architecture: Vast in area, this temple never ceases to surprise visitors for the wealth of detail it has to offer. The musical pillars in the Mani Mandapam which produce sound in various pitches when struck (7th century AD by Nindrasir Nedumaran or Koon Pandyan), the Somavara Mandapam, the 1000 pillared hall, and the Tamra sabha with intricate wood work, and the Vasantha Mandapam are some of the noteworthy points in this temple. Lifelike sculptures adorn several of the mandapams in the temple, noteworthy ones being in the Sangili Mandapam which links the temples of Nellaiappar and Kantimathi in this vast temple complex.


http://www.newparadigmjournal.com/Sept2006/seedsyllables.htm
While columns are quite common as the central pillars of most temples, in Tirunelveli there are ten basic stone pillars within a total of 48 columns, all of which are part of a single piece of rock. Tapping the columns produces the important basic intervals (shrutis) of Indian music. Known as Shruti pillars these columns are said to produce a series of hymns and formulas connected with cosmic sounds of truth. Each pillar has clustered within it numerous smaller pillars for a total of over 160 columns, all of which produce sounds and beats much like a natural stone pipe organ. Many other temples in Southern India also have special musical pillars (e.g, Azhavar Thirunagari, Kalakaadu, Kuttralam, Madurai, Shenbagarama Nallur, Suseendaram, Tenkasi and Thiruvananthapuram).

अदभूत मंदिर वैभव!


http://www.esakal.com/esakal/esakal.nsf/MiddleFrame?OpenForm&MainCategory=Saptarang&category=Saptarang_Paryatan

(डॉ. वर्षा जोशी)
तामिलानादूत कन्याकुमारीजवळ तिरुनलवेली, तंजावरजवळ दारासुरम आणि पॉंडीचेरीजवळ चिदंबरम येथे संगीत स्तंभ असलेली मंदिरे आहेत. भौतिकशास्त्रीय तत्त्वांवर आधारलेले हे स्तंभ भारतीय संस्कृतीचा दुर्मिळ ठेवा आहेत. त्यांची जपणूक झाली पाहिजे. भारतभ्रमणाचा संकल्प सोडल्यानंतर नुकताच दक्षिण भारतातील तमिळनाडू राज्याच्या पर्यटनाचा योग आला. संगीत आणि विशेषकरून "वाद्यांमधील विज्ञान' यामध्ये खूप रस असल्याने तेथील मंदिरांमधील संगीत स्तंभाबद्दल (म्युझिकल पिलर्स) कुतूहल होतं. कन्याकुमारीजवळील सुचिंद्रम, मदुराईमधील मीनाक्षी आणि तिरुअनंतपुरममधील श्रीपद्मनाभ या सर्व मंदिरांमधील संगीतस्तंभ पाहिले; पण त्यांची संख्या मर्यादित होती. कन्याकुमारीजवळ साधारण शंभर किलोमीटरवरील तिरुनलवेली या ठिकाणी असे उत्तम स्थितीतील पुष्कळ स्तंभ आहेत असे समजल्यानंतर त्या ठिकाणी मुद्दाम गेलो. नेलियाप्पर हे शंकराचे मंदिर त्या ठिकाणी आहे. पर्यटकांपासून दुर्लक्षित असे हे मंदिर आहे. पांड्या वंशाच्या राजांनी सातव्या शतकात स्थापना केलेले हे मंदिर आणि त्यातील नादमणी मंडपम या सभागृहातील संगीतस्तंभ म्हणजे कला, भौतिकशास्त्र आणि स्थापत्यशास्त्र यांचा अभूतपूर्व संगम आहे. एका समूहामध्ये अनेक स्तंभ असे दहा समूह म्हणजे एकूण १६१ स्तंभ या मंडपात आहेत. असे दोन समूह तेथील अम्बेच्या मंदिरातही आहेत. या स्तंभांचे तीस श्रुती, गण आणि लय असे वर्गीकरण केले जाते. श्रुती प्रकारामध्ये स्तंभातून सप्तसूर निर्माण होऊ शकतात. गण प्रकारात विशिष्ट रागांना लागणारे स्वर निर्माण होतात, तर लय प्रकारात ताल निर्माण होतो. तिरुनलवेलीमधील खांब हे जास्त करून श्रुती आणि लय प्रकारात मोडतात. श्रुतिस्तंभावर वादन करता येते. तशा ध्वनिफिती उपलब्ध आहेत. लयस्तंभावर आघात केला की मृदंगाचा, तसेच काहींमधून तबल्याचा आवाज ऐकू येतो. नौरोसजी वाडिया महाविद्यालयातील डॉ. डिसा व डॉ. परमेश्‍वरन या भौतिकशास्त्रातील प्राध्यापकांनी (कै.) डॉ. हेमचंद्र मोडक यांच्या मार्गदर्शनाखाली या स्तंभांवर संशोधन केले आहे. काही विशिष्ट स्वरसमूह असलेल्या ऋचा स्तंभ असलेल्या मंडपात गायल्या गेल्या. त्याच नंतर वीणेवर वाजविल्या. खांबांवर "कॉंटॅक्‍ट मायक्रोफोन' लावून जरूर ते इलेक्‍ट्रॉनिक परिपथ (सर्किट्‌स) वापरून त्या स्वरांमुळे एकनादाने (रेझोनल्स) वाजणाऱ्या स्तंभांमधील स्वरांचे ध्वनिमुद्रण केले. स्वरस्तंभामधून वीणेप्रमाणे उमटलेले ऐकणे हा रोमांचकारी अनुभव असतो. याच्याही ध्वनिफिती उपलब्ध आहेत. हे स्तंभ संपूर्णपणे भौतिकशास्त्रीय तत्त्वांवर आधारित आहेत. स्तंभांवरील नक्षीसुद्धा त्यांची वारंवारिता ठरवण्यात महत्त्वाची ठरते. सारख्याच लांबीच्या आणि जाडीच्या दोन स्तंभांमधील स्वरांची वारंवारिता ही त्यावरील नक्षीमुळे भिन्न असल्याचे आढळले आहे. या मंदिरात खांबांचा एक समूह असा आहे, की त्यामधून जलतरंगासारखा नाद ऐकू येतो. श्री शिवशंकर म्हणजे नृत्य-गायन या कलांची देवता. पूर्वीच्या काळी या मंदिरांमध्ये नृत्य-गायन सादर होत असताना, मृदंग, तबला वाजत असताना पाषाणालाही कंठ फुटावा अशी योजना करणाऱ्या संगीत, भौतिकशास्त्र आणि स्थापत्यशास्त्र, शिल्पकला या सगळ्यांची उत्तम जाण असणाऱ्या त्या प्रतिभावंत कलाकारांना मनोमन मुजरा करूनच नेलियाप्पर मंदिरातून आम्ही बाहेर पडलो. दुसरे आकर्षण होते, तंजावरपासून ३४ किलोमीटरवर असलेल्या दारासुरम येथील ऐरावतेश्‍वर मंदिराचे. रथाचे रूप दिलेल्या मंदिराच्या सभामंडपाचे घोडे, हत्ती, चाक हा शिल्पकलेचा एक अजोड नमुना आहे. रामायण, महाभारतातील कथा यावर अतिशय सुरेख कोरल्या आहेत. भरतनाट्यम्‌मधील मुद्रा, जिम्नॅस्टिक्‍समधील विविध प्रकारही कोरलेले आहेत. हे मंदिर दुर्लक्षित अशा अवस्थेत आहे. त्याचा काही भाग पडायलाही आलेला आहे. आता युनेस्कोने तो भाग व्यवस्थित करण्याची जबाबदारी उचलली आहे, अशी माहिती मिळाली. या मंदिरातले आमचे आकर्षण होते ते म्हणजे मंदिराबाहेर असलेल्या पायऱ्या. या पायऱ्यांसाठी वापरलेला दगड मंदिरासाठी वापरलेल्या दगडांपेक्षा अगदी भिन्न आहे. या पायऱ्यांवर बाजूला आघात केला की सप्तसूर उमटतात. दुःखाची गोष्ट अशी, की लोकांनी पायऱ्यांवर सतत आघात केल्याने त्या आता मोडकळीला आल्या आहेत आणि म्हणून त्या आता जाळीमध्ये कुलूपबंद करून ठेवण्यात आल्या आहेत. मीनाक्षी मंदिरामधील संगीतस्तंभही यामुळे लोखंडी जाळीमध्ये कुलूपबंद आहेत. संगीतखांब, संगीत पायऱ्या अशा गोष्टी आता निर्माण होणे अशक्‍य आहे, पण आपला हा विज्ञान आणि कला यांच्या संगमाचा ठेवा आपण जपूही शकत नाही, त्याकडे आपले इतके दुर्लक्ष होऊ शकते, हे पाहून विषाद वाटतो. पॉंडिचेरीपासून साधारण चौसष्ट किलोमीटरवर चिदंबरम्‌ मंदिराचे महत्त्व आणखी वेगळे आहे. बहुतेक शंकराच्या मंदिरांमध्ये आपल्याला शिवलिंग दिसते; पण या मंदिरात शंकर नटराजाच्या मूर्तीच्या स्वरूपामध्ये पाहायला मिळतो. आनंदतांडव या मुद्रेतील ही नटराजाची मूर्ती आहे. उत्पत्तीसाठी ब्रह्मा, पालनासाठी विष्णू आणि विनाशासाठी शिव, असे आपण नेहमी म्हणतो; पण या मूर्तीमध्ये या तिन्ही जबाबदाऱ्या सांभाळणारे जे "ब्रह्म'- त्याचे प्रतिनिधित्व आहे. वरच्या उजव्या हातातील डमरू हा निर्मिती किंवा उत्पत्तिदर्शक, विश्‍वाचा ताल निर्माण करणारा आहे. वरच्या डाव्या हातात विनाश करणारा मृत्युदर्शक अग्नी आहे. मूर्तीमध्ये या दोन्ही हातांचा सांभाळलेला सुरेख तोल जन्म आणि मृत्यू, उत्पत्ती आणि विनाश यामधील तोल दर्शवितो. या दोन्ही हातांच्या मधोमध असलेल्या मूर्तीच्या चेहऱ्यावर या दोन्हींचा आनंद किंवा दुःख यापलीकडचा एक शांत, अलिप्त भाव आहे. दुसरा उजवा हात पालनकर्त्याचा, शांततादर्शक आहे, तर डावा हात वर उचललेल्या पायाकडे निर्देश करणारा, मायामोहाच्या जंजाळातून बाहेर काढणारा आहे. दुसरा पाय अज्ञानाच्या राक्षसावर ठेवलेला आहे. अध्यात्म्याचे इतके सुरेख चित्रण कलेमधून क्वचितच आढळेल. विश्‍वाच्या उत्पत्तीपासून सुरू झालेले हे नृत्य विश्‍वाच्या अंतापर्यंत चालणार, किंबहुना हे नृत्य थांबेल तेव्हा विश्‍वाचा अंत होणार. भौतिक शास्त्रीयदृष्ट्या याचा अर्थ उत्तम समजू शकतो. प्रत्येक अणूमध्ये हे ऊर्जानृत्य चालू असते. विश्‍वकिरणांचा वर्षाव होत असतानाही कणांचा जन्म होणे आणि ते पुन्हा ऊर्जेत विलीन होणे, हे चालूच असते. तो जेव्हा थांबतील तेव्हा विश्‍वाचा अंत, हे तर भौतिकशास्त्रीय सत्य आहे. चिदंबरम्‌ मंदिर हे पंचमहाभूतांपैकी आकाशाचे प्रतिनिधित्व करते. आकाश किंवा अवकाश (स्पेस) अफाट, अनंत आहे आणि प्रत्येक अणुरेणूमध्येही ते आहे. इथे शिव हा निराकार, अनंत होतो आणि म्हणूनच येथील एका मंदिरात मूर्ती नसून, नुसतीच बिल्वपत्रांची माला आहे. निसर्गात, प्रत्येक प्राणिमात्रात असलेले चैतन्य, ऊर्जा म्हणजेच परमेश्‍वर, हे दर्शविणारे हे मंदिर आहे.

Monday, May 14, 2007

Chennai Petroleum refinery shows the way

Here's an article about how Chennai Petroleum Corporation Limited(CPCL) buys sewage water from the state of TamilNadu , recyles it, uses it to cool its crude oil, converts the sludge into vermicompost and uses this organic fertiliser to maintain its lush-green campus.http://www.hindu.com/2004/04/29/stories/2004042911320300.htm

Wednesday, May 2, 2007

Solar cookers from the 18 th century

I came across this mindboggling (at least it is to me..) article about solar power experiments done in the 18 th century.
Horace de Saussure observed :"It is a known fact, and a fact that has probably been known for a long time, that a room, a carriage, or any other place is hotter when the rays of the sun pass through glass."

He placed 3 boxes of glass which could fit into each other, their bottoms cut out on a dark colored table. After placing this apparauts in sun for several hours he measured the temperature inside the boxes. The inside of the first box was the coolest of the 3. The temperature inside the inner most bax reached 189.5 degrees F . Quite fascinating huh?

This phenomenon can be explained by the fact that light energy was transformed into heat energy.
"Much of this heat was released into the glass boxes as warm air and thermal radiation. But clear glass has a peculiar property: it easily allows sunshine to pass through, but inhibits thermal radiation from doing the same. Therefore this trapped energy heated the air inside the box. The glass walls also blocked the heated air from escaping, but some heat was lost by conduction through the glass."

He carried out more experiments with simple apparatus like a blackened box and som insulation to minimise the heat loss . And he confirmed: "the sun shines with almost equal force at higher and lower elevations. At lower elevations there are greater amounts of carbon dioxide and water vapor in the air. This denser atmosphere holds in the solar heat more effectively, retarding its escape into space; so it gets hotter at these elevations. But the glass covers of a hot box present an equally effective barrier to solar heat trying to escape from the box whether it is located in the mountains or at sea level; so it registers the same temperature in either place."

Sir John Herschel did a similar experiment in 1830 in South Africa. He used a mahogany container blackened on the inside and covered with glass, set into a wooden frame protected by another sheet of glass and by sand that was heaped up along its sides. The outcome of Herschel’s experiments with this hot box was not only scientifically interesting but also pleasing to the palate, as his notes indicate:
"As these temperatures [up to 240ºF] far surpass that of boiling water, some amusing experiments were made by exposing eggs, meat, etc. [to the heat inside the box], all of which, after a moderate length of exposure, were found perfectly cooked. . [On] one occasion a very respectable stew of meat was prepared and eaten with no small relish by the entertained bystanders."

"The following day, using a much simpler hot box, Herschel made an egg,
Which burned Peter’s [his son’s] fingers as if fresh from the pot. It was done as hard as a salad egg and I ate it and gave some to my wife and six small children that they might have it to say they had eaten an egg boiled hard in the sun in South Africa."


Samuel Perpont Langley inspired by Sir Herschel's experiment carried out his own experiment.

In 1881, Langley took a trip to Mt. Whitney to study the effects of solar energy. And he noted : "As we slowly ascended . . . and the surface temperature of the soil fell to the freezing point, the temperature in a copper vessel, over which lay two sheets of plain window glass, rose above the boiling point of water, and it was certain that we could boil water by the solar rays in such a vessel among the snow fields."

De Saussure, Herschel, and Langley all demonstrated that temperatures exceeding the boiling point of water could be produced in a glass-covered box. Its inventor realized that the hot box might have important practical applications. As de Saussure stated almost self-effacingly, "Someday some usefulness might be drawn from this device . . . [for it] is actually quite small, inexpensive, [and] easy to make."

Source : http://solarcooking.org/saussure.htm

Indeed, such a simple device can be a poor man's cooker. If used by everyone it will save atleast 20% of gas/electricity.